Starting higher up the neck playing the 12th fret on the D and B strings along with the open G string in between. This E minor turnaround has a delta blues feel. Guitar Tab showing Turnaround 7 containing a delta blues style turn around with higher register chords played in a triplet feel. This makes for a great ending to a song and you may hear this type of chordal ending in many blues classics. The patterns fretted note descends along the D string before the final bar ending with two chords, C9 and B9. This turn around contains triplets but in an ascending picking pattern with a fretted note on the D string and the open G and B strings. Guitar Tab showing Turnaround 6 containing a repeated picking pattern with a descending bass note before ending on a C9 and B9 chord. This is then rounded up with the A string played open and on the 1st fret before landing on an E chord. At the start of the third bar the run comes to an end with the second fret of the A string coupled with the open E. Along the high E string, the triplet pattern only plays this string open, however, on the Low E and A string, there is a melodic movement that follows the same rhythm. This turnaround has two parts working together at the same time. Guitar Tab showing Turnaround 5 containing a moving bass line with a constant high note and string skipping. This is the same note, but sliding into the 5th fret will cause a slight clash before your slide reaches the unison note. The lick ends by playing two notes on the 5th fret of the B along with the open E. While the major 3rd note technically isn’t in the minor key, it adds an interesting flavour to any blues lick. There is a third bar containing a short lead line running up the E Minor pentatonic using the Major 3rd on the G string. This will give the impression that you are accenting the descending changes. A great way to get into this rhythm is to play each triplet three times, then when you have the passage in your mind, skip the middle note. This turnaround has a triplet feel, except we are missing out the middle note. Guitar Tab showing Turnaround 4 containing descending dyads on the B and E strings with a short lead line. This turnaround also has a third bar incorporating a short lead lick descending in the E Minor pentatonic scale with an added Major 3rd note (1st fret of the G). The chord takes the shape of a standard D7 chord but descending chromatically from the 4th fret down to the 2nd, before switching at the end of the second bar to the highest 3 notes of an E Major chord. This E minor turnaround starts with a triplet feel, descending chordal pattern. Guitar Tab showing Turnaround 3 containing descending chords and a lead line from the E Minor Pentatonic Scale with an added Major 3rd. If you are using this turnaround mid phrase, then replace that E chord with the first bar of your next 12 bar cycle. The third bar of this turnaround ends on an E chord, if you are using this as an ending this is a great way to wrap it up. For a real delta blues feel, slide into the first note of each group. This turnaround contains a string skip all the way through, with fretted notes on the G and open notes on the E. This would work great at the end of an acoustic blues. The triplets in this example are quarter note triplets meaning each three notes will cover 2 beats of the bar as this turnaround is a slower one. Guitar Tab showing Turnaround 2 containing picked notes, string skipping and slides in the key of E Minor. If you play the initial two notes on the 9th fret with your third finger on the D string and little finger on the G, this will free up your other fingers to play the descending notes as the little finger holds the G in place. The rhythm in the first bar is broken up into triplets, meaning each beat will contain three notes. This first turnaround is in the key of E minor. Cool turnaround riffs to make things much more interestingīlues is something you will jam many times as a musician.Guitar Tab showing Turnaround 1 containing picked notes in the key of E Minor.Using a bass line to outline the 12 bar blues progression.In addition, you learn various ways to approach playing a blues on your guitar. You also learn the difference between a straight feel verses a swing feel for the blues. In this lesson, you learn all about the standard 12 bar blues progression in E, including the basic structure of the 12 bar blues plus the variations you will come across from one song to the next. This is because it is so prevalent in various genres of music including rock, jazz, country, folk, and would you believe, blues :) In this video lesson, you learn how to play a 12 bar blues on guitar.īlues is essential to know as a musician, even if you don’t consider yourself to be a blues player. How To Play 12 Bar Blues On Acoustic Guitar
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